In Coralie Fargeat's new feminist horror movie The Substance, damaging social appeal requirements are the genuine monsters. They (women objectification, the fingertip of "the outdated," the expansion of a field built on body alteration) nourish a beast of a cycle that leads Demi Moore's fading television individual character Elisabeth https://reynaldo-rosalessites.wikiworldstock.com/964943/margaret_qualley_the_substance
Margaret Qualley The Substance
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